This anthology series about timeless moral questions in unprecedented times, takes provocative concepts and brings them into the open, delivering three-dimensional, character-driven stories with humor and heart.

The series heads to the very frontiers of space and science to produce the definitive television history of science fiction, told through its impact on cinema, television and literature, with the help of filmmakers, writers, actors, and graphic artists. Each episode will explore one of the enduring themes of science fiction: time travel; the exploration of space; robots and artificial intelligence; and aliens.

Lyle and Holly, a happily married New York couple decide to test the romantic boundaries of their monogamous relationship. Soon, a hypothetical love triangle with their rock star neighbor becomes a reality they must now navigate.

The first of two concerts, where the boys have black suits. 01. Beatles arrive in Tokyo, Japan Airport/ Hotel/ Press Conference Off to the concerts EVENING CONCERT JUNE 30, 1966: 02. Rock'n'Roll Music 03. She's A Woman 04. If I Needed Someone 05. Day Tripper 06. Baby's In Black 07. I Feel Fine 08. Yesterday 09. I Wanna Be Your Man 10. Nowhere Man 11. Paperback Writer 12. I'm Down

Who am I? What is real? How to live in the madness of the world? These are questions posed by six people who have had psychosis and speak openly about their experience. They have in common that they think deeply, and that at particular moments in their lives, they were under intense personal and social pressure. 　　The Desert of the Real draws the viewer into their lives before the pivotal events, the psychosis itself, the intensive treatment and the road to recovery, in full awareness that what has occurred cannot be undone. The unguarded and emotional interviews, conducted in their familiar surroundings, are interspersed with staged situations that evoke the interviewees’ experiences of being in a reality that is manipulated, as if in a movie. 　　The film offers a clear perspective on what it’s like to have psychosis, while also raising questions about how we, as a society, treat one another. One the six offers their view on psychosis as “A normal response to a completely crazy and disturbed society.”

Tim Hawkins is a world-renowned stuntman famous for his death-defying performances. For his latest and most dangerous act yet, he sets out to break the Guinness World Record for the highest controlled fall ever attempted — using none other than the Statue of Liberty as his launch point. But the fall doesn’t go as planned. Before the cameras roll, Tim slips prematurely and plummets off the statue, smashing into the emergency security pads below. Though the pads break his fall, the impact leaves him unconscious and in critical condition. While his body lies in a coma, Tim's mind becomes trapped in a nightmarish loop — an eternal, slow-motion fall that never ends.

This mystery-tinged 'Martial Arts World' epic was one of director Chu Yuan and novelist Ku Lung's last together for the Shaw Studios, but it's another action-filled winner. Liu Yung and Sun Chien team to investigate the martial arts murders of a supposedly mortally wounded swordsman, only to find deception, death, double-dealings, imposters, and one deadly duel after another. No less than three choreographers are on hand to handle the multitude of magnificent martial arts.

Doraemon and his friends travel to ancient Japan where they meet Kukuru. When Kukuru tells them that his tribe has been enslaved by Gigazombie, Doraemon decides to help him.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.